|
|
Flor de Amor
Participated by Omara Portuondo
Studio : Nonesuch
by Nonesuch
Release Date : 2004-07-13
Publisher : Nonesuch
Availability : Usually ships in 1-2 business days
EAN : 0075597981124
UPC : 075597981124
Avg. Customer Rating: (based on 3 reviews)
List Price : $18.98
Our Price : $13.38
|
|
| |
|
Album Description |
|
Flor de Amor (Flower of Love) is the second solo album for World Circuit by Cuba's leading female vocalist and Buena Vista Social Club star, Omara Portuondo. The best-selling solo artist of the Buena Vista collective next to Ibrahim Ferrer, Omara's debut in 2000 went to the top of the world music sales and airplay charts, and sparked two U.S. tours. This time out, her heartfelt vocals on a collection of musical love letters are backed by a combination of Cuban and Brazilian influences, giving the album a distinctive style. Recorded in Havana's Egrem Studios, the richly textured sound reveals the warmth and pathos familiar to fans of the singer, who traverses a varied set of Cuban songs. |
| |
|
Marketadvisory.com |
|
The septuagenarian Cuban singer Omara Portundo is the lone female crooner of the famed Buena Vista Social Club. But in the 1940s and '50s, she was the velvet voice of the jazz/bossa nova inspired genre known as filin. On her second solo CD, which translates as "Flower of Love," Portundo leads an assembly of Cuban and Brazilian musicians, featuring her Buena Vista bandmates, singer Ibrahim Ferrer and bassist Orlando Cachaito Lopez. The Congolese guitar whiz Papi Oviedo, plays the Cuban tres on "Amor de Mis Amores," "Habanera Ven," "Amorosa Guajira," and the title track. Portundo's poetic pipes sweeten these Latin ballads, from the afro anthemed "Tabu," to "Casa Color," a new song penned for her by Brazil's Carlinhos Brown. Sonically seasoned with strings, woodwinds, guitars, and background vocals, Portundo's "musical love letters" are postmarked with five decades of Afro-Cuban artistry. --Eugene Holley, Jr. |
| |
|
| |
|
Warm, jazzy vocals |
Warm, jazzy vocals by Omara Portuondo imbed FLOR DE AMOR with a powerful bossa nova and easy listening Latin beat.
These are lovely pieces brought to life by Omara Portoundo's voice: delicate in style, here tinged lightly with a horn interlude; there with soft supper club crooning.
|
| |
|
Every track a gem |
|
I've been carrying this CD from my car to the house (and back again) for the last 3 weeks. The backup singers will seduce you. Most noticeable is the sound of the instrumentalists, and in particular the delicate nuances they afford and, in general, how INCREDIBLY GOOD it all sounds together. If one is to assume that artist's albums are supposed to improve, in general, over time, then this is in my opinion Mme Portuondo's best to date. This is the sort of album that makes you say (even so soon after its release) |
| |
|
Definite Grammy Nominee |
|
Omara Portuondo's voice would make any song sound good. What this CD lacks in guest stars, Omara makes up for it with some great classic Cuban songs and brazilian influenced arrangements. She even sings the last track partly in Portuguese. As with all these Cuban albums recorded in the EGREM studios, there is a unique sound the old studio environment leaves on the recorded works. This is a great album by the only woman of the Buena Vista Social Club, not too many members are left, enjoy this CD from one of the survivors. |
| |
|
