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Empire of the Sun 
Actors : Christian Bale, John Malkovich, Miranda Richardson, Nigel Havers, Joe Pantoliano
Director : Steven Spielberg
Studio : Warner Home Video
by Warner Home Video
Brand : Warner Brothers
Release Date : 2001-11-06
Publisher : Warner Home Video
Availability : Usually ships in 1-2 business days
Number of Items : 1
EAN : 9780790761657
UPC : 085391175322
Avg. Customer Rating: (based on 246 reviews)
List Price : $14.98
Our Price : $7.22
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Product Description |
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A young boys experiences after the army of imperial japan invades china following the december 1941 pearl harbor attack shape steven spielbergs spectacular inspiring and acclaimed tale about growing up in a time of war. Studio: Warner Home Video Release Date: 09/26/2006 Starring: Christian Bale Miranda Richardson Run time: 153 minutes Rating: Pg Director: Steven Spielberg |
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Marketadvisory.com essential video |
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Roundly dismissed as one of Steven Spielberg's least successful efforts, this very underrated film poignantly follows the World War II adventures of young Jim (a brilliant Christian Bale), caught in the throes of the fall of China. What if you once had everything and lost it all in an afternoon? What if you were only 12? Bale's transformation, from pampered British ruling-class child to an imprisoned, desperate, nearly feral boy, is nothing short of stunning. Also stunning are exceptional sets, cinematography, and music (the last courtesy of John Williams) that enhance author J.G. Ballard's and screenwriter Tom Stoppard's depiction of another, less familiar casualty of war. In a time when competitors were releasing "comedic," derivative coming-of-age films, Empire of the Sun stands out as an epic in the classic David Lean sense--despite confusion or perceived competition with the equally excellent The Last Emperor (also released in 1987, and also a coming-of-age in a similar setting). It is also a remarkable testament to, yes, the human spirit. And despite its disappointing box-office returns, Empire of the Sun helped to further establish Spielberg as more than a commercial director and set the standard, tone, and look for future efforts Schindler's List and Saving Private Ryan. --N.F. Mendoza |
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The many highlights outweigh the films few problems... |
For some reason there is a huge circle of film snobs (cinaphiles, movie buffs) who absolutely hate this film. I can understand to an extent, but not seeing the films central glistening facet is to ignore what is right in front of your eyes. Yes, even the vilest of movie critics; even someone who detests everything that is so Hollywood about Steven Spielberg will tell you that Christian Bale delivers quite possibly the finest child acting performance of all time.
That said; I don't hate this movie.
The film tells the story of young Jamie Graham, a twelve-year-old British boy living with his family in China. During World War II Jamie is separated from his family and finds himself in an interment camp struggling to survive in a world that was once so familiar but is now so strange. We watch Jamie (now known as Jim; new name for a new life) as he transforms from this privileged and pampered boy to this desperate young man. He never loses his adolescence though, and I think this is the biggest compliment that can be given young Bale (not so young now). He was able to capture the youth within his character, and, while making him mature he never lost it. Most young actor's today struggle with finding that balance between youth and maturity; to them I say `study this performance'.
So, there is much to love here, even aside from Bale's dynamic performance. There are some very strong supporting performances by the likes of John Malkovich and Joe Pantoliano, and there is a beautifully sincere and moving performance given by Miranda Richardson who was robbed of more screen time. Malkovich is very hit or miss for me, but here he lands a strong hit as the devious yet genuine Basie. He takes Jim under his wing, even if his intentions may be selfish, and cares for him in his time of need. Joe plays Frank, Basie's right hand man, and he demonstrates a believable mix of frustration and jealousy. Miranda is just luminous as Mrs. Victor, the young mother who cares for Jim while in the interment camp. She sadly only has a small amount of screen time, but she uses it to the full, delivering a very well rounded and complete performance, one that spans emotional terrain with effortless ease and comfort.
And then there is the gorgeous cinematography provided by Allen Daviau. His steady hand helps add so much depth to emotional impact provided by each frame.
I am one who is not a fan of John Williams score. It just seemed a little out of place to me, like it took away from the good points of the film. It was distracting and annoying and simply one of the films weaker moments; to me. Another hit-or-miss type facet to the film is the fact that it definitely feels very much like a Spielberg film. This can be a good thing, but it can also be a slightly awkward thing. Take for instance the scene where Jamie is separated from his parents in the large massive crowd of people. This scene draws to mind similar scenes from the `Indiana Jones' franchise, and while it doesn't `not fit', it isn't a perfect fit to the film. On the flip side there is a scene where Bale is attempting to place bird traps on the outskirts of the internment camp, and the guards are looking for him, and the scene draws to mind a certain `raptor kitchen scene' in `Jurassic Park' (yes, I know `Jurassic Park' was filmed afterward, but the comparison can still be drawn), and then tenseness of the scene is glorious.
I think where most movie fanatics find fault here is with the Ron Howard like sentimentality used, very reminiscent of Spielberg's approach to `The Color Purple'. While it worked beautifully in the later film, it seems to take away from the grit of a film of this nature. It makes the harshness of the films center feel a little too warm. I know that this is basically a `family film', but maybe that was a mistake. I like this film the way that it is, don't get me wrong, but a little more grit and little more edge would have elevated the film drastically.
That, and to be completely honest, the film is a tad too long.
So, with that said, I can recommend this film without hesitation. It really is enjoyable and it sports a brilliant performance by Bale (where is his Oscar?). The whole family will love this movie, but one cannot help but recognize where different decisions would have brought about more desirable results. |
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Remember, We're British |
Empire of the Sun
Based on J.G. Ballard's autobiographical book of the same name, "Empire of the Sun" follows the life of a young British schoolboy caught in the Japanese invasion of Shanghai. The British tried to recreate England in their enclave, complete with Church of England services and elaborate costume parties. As the Japanese advance the British evacuate, mostly by sea to Hong Kong and Singapore. The boy, James Graham,(Christian Bale in a remarkable film debut) is separated from his parents and is befriended by a couple of scruffy American blackmarketers (John Malkovich and Joe Pantoliano). They are interned in a Japanese camp for the duration of the war, where once again they re-create a microcosm of England, complete with its own economy, bartering, and social hierarchy. "Remember, we're British" as the camp doctor tells Jim, who quickly learns how to survive in a prison camp through bartering, bullying, and theft.
Evacuation and imprisonment is also the theme of Roland Joffe's "The Killing Fields," based on New York Times journalist Sydney Schanberg's friendship with his Cambodian interpreter, Dith Pran during the Khmer Rouge takeover of Phnom Penh. (Sam Waterston plays Schanberg, and Dr. Haing S. Ngor is Dith Pran, winning a much deserved "Best Supporting Actor" for his first film role.)
Spielberg also dealt with imprisonment in "Schindler's List" and, in a way, with the loss of the familiar in "E.T." (?)
In both stories, the Western superpowers abandon their native servants and compatriots. Schanberg manages to get Pran's family out of Cambodia on the last flight, but loses Pran, who ends up in a Khmer Rouge "Re-education" camp as part of Pol Pot's twisted sense of socialism. Overcome with guilt, Schanberg spends years trying to find Dith Pran.
Both directors convey a great sense of place; "Empire" was the first movie filmed in Mainland China since the Revolution, and it carefully creates the mood of 1940's Shanghai. "The Killing Fields" was shot in Thailand, where many of the Cambodian refugees ended up. Both films carry political messages - among them that the comfort zone of the establishment is easily undone by its hubris.
I give both movies four and a half stars. (5 Being for Genius)
The Killing Fields
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HARD TO FIND STUFF |
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I've been looking for this movie and its beautiful music for a long time and finally found it. I guess I just didn't look in the right places. I am now much wiser. |
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An Interesting and Inspiring Bit of History |
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I first saw "Empire of the Sun" in the Lakes District in England with an Australian stranger named Alf. (I'm not making this up.) Though a literature major in college, this film made me realize how few in-depth, behind-the-scenes, real history lessons I learned in my regular high school and college classes. The film started me on a journey to learn more. I now teach Social Studies and English to high-schoolers and try to always make sure my students understand that history is people and people are stories. |
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Empire of the Sun, a drama of a boy's survival in WW II |
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An excellent film that has been underrated in my opinion. Watching the young British boy mature amid the ravishes of World War II is a poignant experience. Stephen Spielberg expertly creates the era and the place and takes us into the heart of the boy Jim. This was Christian Bale's first movie. He was twelve or thirteen at the time and already had a strong enough screen presence to match John Malkovich scene for scene, and that's quite a feat. One caveat, Empire is not a movie for children even though it is about a child. |
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